Ruth Rendell (1930–2015) wrote in three distinct “lanes”: the Inspector Wexford mysteries (one continuous character timeline), her standalone psychological crime novels (no shared continuity), and the Barbara Vine novels (same author, different byline, usually more family-secret driven).

Reading order only truly matters for Wexford.
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Continuity cheat sheet
- One long series: Inspector Wexford (read in order to preserve character development and late-series callbacks).
- Separate books: Ruth Rendell standalones (any order).
- Separate byline, same author: Barbara Vine (any order; publication order is simplest).
The Inspector Wexford novels (publication order)
- From Doon with Death (1964): Wexford’s first case begins with a “ordinary” victim and a secret life that changes the investigation.
- A New Lease of Death (1967): A violent crime in a big house forces Wexford to read a family’s tensions as evidence.
- Wolf to the Slaughter (1967): A missing woman case tightens into something darker as the town’s assumptions collapse.
- The Best Man to Die (1969): A celebratory weekend turns fatal, and Wexford has to separate social theater from motive.
- A Guilty Thing Surprised (1970): A death and an inheritance angle push Wexford into questions of entitlement and resentment.
- No More Dying Then (1972): A sudden death disrupts a community that would rather keep its private rules intact.
- Murder Being Once Done (1972): Wexford follows a case where the past is not background, it’s the mechanism.
- Some Lie and Some Die (1973): A public event becomes the stage for a crime rooted in personal history.
- Shake Hands Forever (1975): A teenage disappearance exposes how quickly a neighborhood can rewrite its own story.
- A Sleeping Life (1978): A long-missing person reappears through consequences rather than explanations.
- Put On By Cunning (1981): A series of deaths forces Wexford to confront how “respectable” lives can hide predation.
- The Speaker of Mandarin (1983): A family’s private world turns lethal, and Wexford has to decode what they won’t say.
- An Unkindness of Ravens (1985): A missing young woman becomes a case about control, fear, and who gets believed.
- The Veiled One (1988): A buried history resurfaces, and the investigation follows the seams where truth was stitched shut.
- Kissing the Gunner’s Daughter (1992): A shocking murder pulls Wexford into institutional pressure and public scrutiny.
- Simisola (1994): Wexford fights indifference and prejudice while chasing a victim others prefer to ignore.
- Road Rage (1997): A violent act reverberates through families, turning anger into a long fuse.
- Harm Done (1999): A disappearance and a household’s secrets force hard judgments about complicity.
- The Babes in the Wood (2002): New discoveries reopen an old case and show how time distorts witnesses and motives.
- End in Tears (2005): The investigation peels back family loyalty until it looks like evidence.
- Not in the Flesh (2007): A case brings Wexford into uneasy proximity with the effects of earlier lives and earlier crimes.
- The Monster in the Box (2009): Wexford confronts a dangerous figure from the past while his own role begins to shift.
- The Vault (2011): A body found during redevelopment forces the past into the present with bureaucratic complications.
- No Man’s Nightingale (2012): A controversial death lands on Wexford’s radar, with community fault-lines driving the case.
Optional Wexford short-story collection:
- Means of Evil (1979): Wexford stories that work best once you’ve read a few early novels and know his voice.
Ruth Rendell standalones (publication order)
- To Fear a Painted Devil (1965): A tense, contained crime story built around suspicion and misdirection.
- Vanity Dies Hard (1965): A relationship-driven psychological trap where appearances are treated as currency.
- The Secret House of Death (1968): A murder pulls focus to what people conceal behind ordinary routines.
- One Across, Two Down (1971): A domestic setup turns into an escalating moral and legal crisis.
- The Face of Trespass (1974): Obsession and entitlement collide, and the fallout spreads through a small social circle.
- A Demon in My View (1976): A disturbed mind at the center of the story makes the everyday feel unsafe.
- A Judgement in Stone (1977): A devastating crime is traced back through class, secrecy, and a fatal imbalance of power.
- Make Death Love Me (1979): A dangerously fixated character turns longing into a plan.
- Talking to Strange Men (1980): A chance connection becomes a slow-burn threat as motives clarify too late.
- The Lake of Darkness (1980): A series of choices turns into a web where guilt and fear do most of the work.
- Master of the Moor (1982): A solitary man becomes the focus of suspicion while violence and rumor feed each other.
- The Killing Doll (1984): A psychologically sharp thriller where the crime is only part of the control dynamic.
- The Tree of Hands (1984): A child-centered plot becomes a study in obsession, displacement, and exploitation.
- Live Flesh (1986): A crime fractures a set of lives, and the aftermath becomes its own trap.
- Heartstones (1987): Family pressure and secrecy push ordinary people toward extraordinary damage.
- The Bridesmaid (1989): A woman’s fixation turns romantic expectation into menace.
- Going Wrong (1990): A seemingly small encounter becomes an obsession that refuses to stay “small.”
- The Crocodile Bird (1993): A daughter raised in isolation tries to enter the world, and the past follows.
- The Keys to the Street (1996): A London-focused thriller where routine, chance, and vulnerability intersect.
- Thornapple (1998): A death reshapes a household’s story, and everyone edits their role.
- A Sight for Sore Eyes (1998): A woman’s life takes a dangerous turn as perception and truth fall out of sync.
- Adam and Eve and Pinch Me (2001): Identity and deceit drive a plot that punishes assumptions.
- The Rottweiler (2003): A city mystery where fear spreads faster than facts.
- Thirteen Steps Down (2004): A close-quarters psychological suspense novel with escalating fixation.
- The Water’s Lovely (2006): A family’s long-buried crime resurfaces, and loyalty becomes a hazard.
- Portobello (2008): Interlinked lives in London reveal how small decisions can turn lethal.
- Tigerlily’s Orchids (2010): A cross-section of characters shows how obsession and loneliness can curdle into danger.
- The Saint Zita Society (2012): A domestic world becomes a stage for rivalry, secrets, and quiet cruelty.
- The Girl Next Door (2014): A community’s remembered past collides with what was actually done and allowed.
- Dark Corners (2015): A late novel of mistaken identity and bad choices tightening into a crime spiral.
The Barbara Vine novels (same author; publication order)
- A Dark Adapted Eye (1986): A family history is retold with the sense that the narrator is protecting someone, possibly herself.
- A Fatal Inversion (1987): A past summer’s freedoms are re-examined once consequences arrive years later.
- The House of Stairs (1988): A marriage and a house become the container for pressure, secrecy, and exposure.
- Gallowglass (1990): A complicated household dynamic turns into a slow-moving disaster.
- King Solomon’s Carpet (1991): A web of lives links through place and circumstance until the pattern becomes sinister.
- Asta’s Book (1993): A family’s hidden story reshapes the present once the missing pieces surface.
- No Night Is Too Long (1994): A narrator’s version of events keeps shifting as the past refuses to stay buried.
- In the Time of His Prosperity (1995): A long view of relationships and secrets where the crime is inseparable from the history.
- The Brimstone Wedding (1995): A relationship’s origin story becomes a mystery about control and narrative ownership.
- The Chimney Sweeper’s Boy (1998): A death opens a door into a private life built on omissions.
- Grasshopper (2000): Family structures and loyalties are tested as hidden connections come to light.
- The Blood Doctor (2002): An inheritance of secrets and identity questions tightens into peril.
- The Minotaur (2005): A vulnerable narrator’s perspective makes every kindness feel double-edged.
- The Birthday Present (2008): Power and consent become the fault-line as a relationship’s “gift” turns into a trap.
- The Child’s Child (2012): A legacy story where family secrets remain active forces, not historical curiosities.
Short story collections (optional, high overlap across editions)
- The Fallen Curtain (1976): Rendell short fiction that shows her precision in smaller spaces.
- The New Girlfriend (1978): Stories that lean into obsession, misreading, and escalating consequences.
- The Copper Peacock (1980): A collection shaped around unease that starts in the ordinary.
- The Fever Tree (1982): Suspense stories where the “why” matters as much as the act.
- Collected Short Stories (1987): A larger gathering that’s useful if you want a single-volume approach.
- Wexford (1988): Wexford stories best read after you’ve met him in the novels.
- Ruth Rendell Mysteries (1990): Stories aligned with her crime-fiction range and recurring concerns.
- Unguarded Hours (1990): A shared collection that includes Rendell alongside other writers.
- Blood Lines (1995): Short fiction focusing on relationship fractures and hidden motives.
- A Dark Blue Perfume (1996): A compact entry point if you want Rendell in short form.
- A Needle for the Devil (1996): Stories built around small triggers and big outcomes.
- Piranha to Scurfy (2000): A broader sweep of shorter work, depending on edition.
- Three Cases for Chief Inspector Wexford (2002): Wexford shorts that work as “extra cases” once you know the cast.
- Collected Stories II (2008): Later-curated follow-up volume for readers who want more depth.
- Expectations / Lizzie’s Lover / Shreds and Slivers / The Carer / Unacceptable Levels (2011): A grouped set of shorter works often encountered in reprint form.
- A Spot of Folly (2017): A posthumous collection that gathers short work for modern readers.
Recommended reading order (three routes that avoid common mistakes)
Route A: One long relationship with Wexford
- Start: From Doon with Death (1964): Meet Wexford at the beginning so later-life changes land properly.
- Then: Continue straight through No Man’s Nightingale (2012): This preserves character growth and avoids late-series spoilers.
Route B: “Standalone Rendell” first, series later
- Start: A Judgement in Stone (1977): A complete, ruthless psychological crime novel with no prerequisites.
- Next: Going Wrong (1990): A clean demonstration of how she builds obsession.
- Then: Begin Wexford when you want a longer arc: From Doon with Death (1964).
Route C: Barbara Vine as your main course
- Start: A Dark Adapted Eye (1986): The clearest doorway into Vine’s family-history mode.
- Then: Follow publication order if you like it: The books reward steady progression, not puzzle-solving.
Latest Releases
Latest Releases: The recent book released by the author is: A Spot of Folly (2017).
Frank is the editor of BookSeries.blog, focusing on publication order, chronological timelines, and spoiler-free reading guides for book series and fictional universes.

