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Miranda July’s books don’t form a single ongoing storyline. Instead, her work splits into two reader-friendly lanes:
- Fiction (a story collection plus two novels): easiest for most readers.
- Art / nonfiction books (project-based, visual, and format-driven): best read when you want something less “novel-shaped.”

If you only want one straightforward plan, read the fiction in publication order. It preserves how her voice and obsessions sharpen over time.
The cleanest reading order for most readers: Fiction first
Fiction in publication order
- No One Belongs Here More Than You (2007): Sixteen off-kilter, tender stories where lonely people make brave, awkward bids for connection.
- The First Bad Man (2015): A tightly wound woman’s orderly life is detonated by an unwanted housemate and a relationship that refuses simple labels.
- All Fours (2024): A midlife road trip swerves into a private detour that becomes an intense experiment in desire, identity, and reinvention.
If you’re spoiler-sensitive: these are standalones, so you won’t ruin plots across books. Publication order is about tone and artistic evolution, not continuity.
Art and nonfiction books: Separate lane, read anytime
These don’t connect to the fiction’s characters or events. They’re best treated as “choose when the premise appeals.”
- Learning to Love You More (2007, with Harrell Fletcher): A participatory art project in book form, built from creative assignments that turn ordinary life into an exhibit.
- It Chooses You (2011): A hybrid of interviews, photos, and reflection, shaped around encounters with everyday people and the stories hiding in plain sight.
- Miranda July (2020): A wide-angle monograph that gathers her work across mediums, meant for browsing as much as reading.
- Services (2022): An art-object book that begins with an unsettling solicitation and expands into a long-form meditation on risk, attention, and exchange.
Format note: Some of these titles are art editions with unusual formats and limited availability. They still “fit” a books list, but they don’t behave like typical trade novels.
Picking your starting book (without homework)
- Start with No One Belongs Here More Than You if you want short pieces that show her range quickly.
- Start with The First Bad Man if you want a single, sustained story with escalating strangeness and emotional payoff.
- Start with All Fours if you want her most recent long-form fiction and you’re in the mood for a bolder midlife pivot.
Do you ever need a different order?
Not really. There isn’t a “timeline order” separate from publication, and the art/nonfiction books don’t require any setup. The only reason to change the order is taste:
- Short attention span right now: begin with the story collection.
- You want the biggest immersion: begin with either novel.
- You’re here for the art practice: jump straight to the monograph or project books.
FAQ
Are Miranda July’s books connected to her films?
They share themes and sensibilities, but they aren’t direct novelizations or a single shared plot world.
Is there a “best” first novel?
The First Bad Man is usually the easiest entry if you want one book that feels fully self-contained and distinctly hers.
Are the art books required to understand the fiction?
No. They stand on their own, and the fiction stands on its own.
Bottom line
For a clear, satisfying path: read the fiction in order (2007 → 2015 → 2024), then treat the art and nonfiction books as optional side doors you can open whenever the premise calls to you.
Frank is the editor of BookSeries.blog, focusing on publication order, chronological timelines, and spoiler-free reading guides for book series and fictional universes.

